Blog — Oh Magazine

Alice Snape

Fear and pigeons

illustration: ester garcia

illustration: ester garcia

Be afraid, be very afraid. To mark Halloween, we asked our writers to confess what scares them the most. For Alice Snape it's pigeons that are her biggest fear...

The one fear that has remained constant throughout my life is my fear of pigeons. In fact, all birds really, but pigeons are the ones that are always there, lurking in front of my every step, unwilling to move out of my way – why don’t they creep and coo near someone else? Why aren’t they scared of me?

Pigeons constantly reinforce my terror on a daily basis, so it can’t possibly be irrational. Even back when I was revising for my GCSEs, one flew into the conservatory through an open window. I had my revision desk all set up and was convinced the bird was out to get me. It flapped around all over my notes, until my dad had to come home from work, and let it out. All I could do was close the sliding doors and cry in a ball on the floor.

And now, I see them everywhere. I don’t understand how other people can brazenly walk through a group of the flappy, grey rodents as if there is nothing in front of them. When I see one, I scuttle around, cross over the road, stamp my feet loudly – avoidance tactics. Occasionally, I scream out loud. Over the course of my life so far, four pigeons – yes four – have even flown into my head. My head! Flapping around with their grubby little claws tangling into my hair. I have been pooed on more times than I can count, and I don’t care that it might be lucky. I don’t feel lucky. 

I guess the fear is born out of anxiety, I am an anxious person. I was an apprehensive child, always fretting and worried about the unknown. And in this changeable, unrecognisable world that we currently reside, those worried concerns flood back to me, all embodied in the physicality of that horrid pigeon form. Who will deny climate change next? Who’s responsible for Irma? How will I meet by next work deadline withouthaving a panic attack?

It doesn’t matter if they are the flying, dirty rats with one foot that seem to outnumber humans in London, or the big fat wood pigeons that live a life of luxury in the countryside or the pigeon fancier’s variety. Because I hate them all. I hate them, because I don’t know what a pigeon is about to do, it can’t communicate with me in a way that I understand. I can’t control where it steps. The pigeon has no regard for my personal space. It just coos that horrid  that horrid sound, flapping with no direction. One could sneak up on me at any moment with its flailing wings, beady eyes and sharp beak. And I would never be ready for it, even though I am forever dreading its appearance. 

See what our other Oh Comely writers are afraid of in issue 39

Cheer Up Luv – a photo project documenting women who have been harassed

CHRISTINA

CHRISTINA

You’re lost in your own world, until some stranger decides to interupt your thoughts, with the command to “Cheer Up”. And that’s at the lesser end of things we’ve had shouted at us. Cheer Up Luv is an online project set up by photojournalist Eliza Hatch to document women who have experienced sexual harassment in public.

KORANTEMA

KORANTEMA

"I was 19 and had just moved to Paris. I was on a crowded train and this guy put his hands on my hips and started grinding on me. I stepped on his toes as hard as I could and he finally let go. I stormed out of the train straight after." JULIET…

"I was 19 and had just moved to Paris. I was on a crowded train and this guy put his hands on my hips and started grinding on me. I stepped on his toes as hard as I could and he finally let go. I stormed out of the train straight after." JULIETTE

 

As Eliza explains, “We toughen up from such a young age and learn to brush off and shut out unwanted comments you get from men. By the time you are 23 you are used to mild sexual harassment, and most of the time women rarely talk about it. So I think it is extremely important to photograph women in their daily surroundings, and give them a chance to say something back.

KRUPA

KRUPA

Women from around the world have shared their stories (including our writer Marta) to help flip a story of victimisation into one of empowerment.

MARTA

MARTA

Head to the website to view more cheerupluv.com, and follow the project on Instagram @cheerupluv

Oh Comely loves... The Other Art Fair | 5-8 October | Old Truman Brewery | London

Female Artists take the lead at The Other Art Fair 

The Other Art Fair is a platform for emerging artists. And this year, we're loving the fact that over half of the 130 participating artists in The Other Art Fair are women. In an industry widely considered 'pale, male and stale' - this is your chance to meet the new female stars of the art world. Here's a peek at some of our faves:

Nina Brook - 'Parasol Paradise

Nina Brook - 'Parasol Paradise

Carolina Mizhrai - Avatar Collection

Carolina Mizhrai - Avatar Collection

Fei Alexeli - 'No Bad Days'

Fei Alexeli - 'No Bad Days'

Michelle Heron - 'Jones Dairy'

Michelle Heron - 'Jones Dairy'

On display at Old Truman Brewery, 91 Brick Lane, London E1 6QR, from Friday 6 October until Sunday 8 October, ticket info at theotherartfair.com

Contribute your personal stories to issue 40

Photo by Cathy McKinnon

Issue 40 is out in December and we're looking for your contributions.

For this issue, we're especially interested in your first person stories about rituals. Whether they be daily or yearly, done alone or with someone else, as long as they are meaningful to you.

To be considered, email a 100-word outline of your idea to ohcomely@icebergpress.co.uk, along with two samples of your work by Friday 29 September. Please state 'Issue 40 contributions' in the subject header. 

Unfortunately we don't accept fiction or poetry samples. We do try and get back to everyone but we're a really small team so we're sorry if we don't get a chance. 

We look forward to hearing your ideas! 

Oh Comely loves... Erin M Riley's tapestry

 Erin M. Riley, Self Portrait 1

 Erin M. Riley, Self Portrait 1

 

Tapestry: Here & Now on display now at The Holburne Museum, Bath until 1 October 2017.  This exhibition features innovative and contemporary approaches to tapestry.

"My practice is informed by imagery that is shared and transferred online, through text, email and temporary mediums. Flirtations and intimate dialogues are informed by candid moments of deep intimacy and trust via the shared image. I use my own body as a commitment to my work to stay vulnerable and open. Self Portrait 1 is from a series of imagery that was sent via text in the beginnings of a courtship, this series is woven differently than my typical works as it combines tapestry techniques and "skill" to delineate hierarchy of content," says Erin of her work.

You can view Erin's work as part of Tapestry: Here & Now, an ambitious survey of contemporary tapestry. It's on show at the Holburne Museum, Bath until 1 October 2017. 

Exhibited artists: Valerie Kirk, Barbara Heller, Aino Kajaniemi, Akayo Matsumura, Misao Watanabe, Yasuko Fujino, Ai Ito, Saori Sakai, Rolands Krutovs, Kristin Sæterdal, Tonje Høydahl Sørli, Caron Penney, Fiona Rutherford, Sara Brennan, Jilly Edwards, Fiona Hutchinson, Joan Baxter, Pat Taylor, Philip Sanderson and Erin M Riley. 

 

 

Mollie Clothier's 'Perplexity' Photography Project

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We're delighted to share Mollie Clothier's 'Perplexity' photography project... Mollie is a fashion and fine art photographer whose work explores psychological matters. She's 22 and currently living in Dorset, having graduated from Falmouth University in July.

Describe what this photo series is about... "Perplexity proposes to tackle the apprehension that surrounds mental health, normalising its impulses to the viewer through the use of recognisable movements and objects. This physicality attempts to represent the intuitive gestures and sensory responses that occur as a result of an anxiety disorder." 

How was the idea for this project born? Was it down to personal experience? What do you hope others will gain from seeing these images? "My projects always seem to be focused around psychological themes surrounding mental health, interested by the way we not only perceive ourselves, but how we acknowledge each other. This project in particular has been based on my own experience with anxiety, due to the frustration that I so often felt when seeing very typical black and white moody images that are supposedly representing anxiety and depression. This isn't how I feel when experiencing a particularly bad patch of anxiety, so I was interested in averting this stigma into something that would catch people's attention and raise awareness about mental health at the same time." 

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The images are so striking, did you pick the vibrant colours on purpose? Are the colour choices significant?  "Thank you! Yes, the choice of vibrant colours, with the fashion, props and borders were all chosen based on  information gained from art therapists and colour tests, combined with SS17 fashion at the time." 

Who is the model? How did you pick them? Did they gain something from the shoot too? "The model in this series was a close friend who has also suffered with anxiety. I made this decision as it meant that when trying to communicate such personal and sensory feelings, my intent could be achieved more accurately. Using somebody who understands these afflictions helped to create an honest and emotive portrayal without having to capture somebody curled up in a ball."  

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What other projects do you have in the pipeline? "Having focused specifically on anxiety disorder here, I am interested in exploring other areas of mental health through the same fashion context, always interested in finding and listening to other people's stories." 

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You can view Mollie's work on her website

#OhCoBookClub Eli Goldstone’s Strange Heart Beating

 

Did you know we have an #ohcobookclub? Each issue, we pick a novel and invite you to read along with us. Our current choice is Eli Goldstone's debut novel Strange Heart Beating. Why don't you read along with us?

Seb's beautiful, beloved wife Leda has been killed by a swan. With a name like that, with a bizarre family history like hers, it isn't really surprising. Seb has a grip on her story and its aesthetics; he knows how it should go. Except that he doesn't. Sorting through her belongings after her death, he comes across a packet of unopened letters from a man whom Leda has never mentioned. It is a loose detail in the thread of his narrative that, when pulled, unravels the whole story of his marriage. Who is this stranger who knew her so well? Why did she flee her home village in Latvia? What happened to her as a young woman in London? Who, Seb wonders, was his wife? Floundering professionally and sunk by grief, he decides to travel to Latvia to find her. He is met, instead, with the living ghosts of her past, all of whom knew a fragment of Leda - but none of whom are willing to share their secrets with him. A darkly funny and seductive novel that confronts the black undercurrent of possession inherent in love, and the impossibility of ever truly knowing even those dearest to us, Strange Heart Beating is a breathtaking debut from an author whose vision is both acerbic and tender.

 

Read an excerpt here.

In London, we’re also hosting a real-life bookclub, so pick up the novel, and come and chat to us about it on Wednesday 13th September. You can find all of the details here.

If you’re heading to the Good Life Festival, we’ll be hosting a mini-bookclub there too, and if you’re outside of London, email us if you’d like to set up your own #OhCoBookClub group.  As always, we’d love to hear your thoughts on the book, so don’t forget to tag @ohcomelymag and #OhCoBookClub on instagram, twitter, and facebook.